OBJECTIVE AND SUBJECTIVE SURVEYS OF OPERA HOUSE ACOUSTICS: EXAMPLE OF THE GRAND THEATRE DE BORDEAUX
Identifieur interne : 002480 ( Main/Exploration ); précédent : 002479; suivant : 002481OBJECTIVE AND SUBJECTIVE SURVEYS OF OPERA HOUSE ACOUSTICS: EXAMPLE OF THE GRAND THEATRE DE BORDEAUX
Auteurs : C. Semidor [France] ; A. Barlet [France]Source :
- Journal of Sound and Vibration [ 0022-460X ] ; 1999.
Descripteurs français
- Pascal (Inist)
- Wicri :
- geographic : France.
- topic : Acoustique.
English descriptors
- KwdEn :
Abstract
This paper deals with the relationships between objective and subjective results of an acoustic survey in the historical opera house of Bordeaux, called the Grand Theatre de Bordeaux. The comparison of the ordinary listeners' answers with the objective results shows that the auditive sensations are fitting with the measured criteria obtained in the opera configuration with the opened pit and sceneries on the stage. The aim of this study was to test in real conditions of performance a questionnaire designed for ordinary listeners. The obtained results allow us to accord a good reliability to the questionnaire.
Url:
DOI: 10.1006/jsvi.1999.2697
Affiliations:
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Le document en format XML
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<front><div type="abstract" xml:lang="en">This paper deals with the relationships between objective and subjective results of an acoustic survey in the historical opera house of Bordeaux, called the Grand Theatre de Bordeaux. The comparison of the ordinary listeners' answers with the objective results shows that the auditive sensations are fitting with the measured criteria obtained in the opera configuration with the opened pit and sceneries on the stage. The aim of this study was to test in real conditions of performance a questionnaire designed for ordinary listeners. The obtained results allow us to accord a good reliability to the questionnaire.</div>
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